Grayson Perry’s art exhibition at London’s Serpentine Gallery opened on 8th June. It is the work of a master craftsman. The exhibits of pottery, tapestries, woven carpets and metal sculptures address issues of class and popular culture in post-Brexit Britain. A two headed piggy-bank with faces looking in opposite directions invites the visitor to contribute to a common fund using any of the slots that describe themselves; young, old, left, right, urban or country, rich or poor, etc. The cameo designs on the pig’s body merge Brexit and Remain – an even handed view of the politics surrounding the issue.
At the heart of the exhibition are the glazed pots, their surfaces decorated with miniature images and one-liners like “luxury brands for justice” and “I’ve read all the academic research about empathy”. Perry suggests that we have more in common than divides us. One pot has a cameo of Big Ben, Winston Churchill and Nigel Farage. Marmite adverts, the BBC and the NHS are depicted on both pots. Perry suggests that our common humanity overrides our social and cultural divisions.
In the corner of one exhibit are colleges of English eccentrics: a tweedy woman clutching a cat, a man in a cloth-cap seeking confrontation. All the images are crowded together, drawing attention to the infinite variety of Britain’s subcultures.
The woven carpets and pottery display the teeming social landscapes of Britain, moving from bulldogs, red buses, the flag of Saint George, all the way to street art. A carpet depicts Euro lorries on the motorway, cannabis adverts next to a child’s playground, a camp of homeless people under a flyover, and a boy in a baseball cap on a bike looking at Brexit graffiti scrawled on slum dwellings against a background of fields.
Throughout these visual comments on contemporary Britain, Perry is always even-handed. A beautifully glazed Cheshire cat with hypnotic swivel eyes bears the title, “I really love you, super rich cat”. It reminds the viewer that Perry himself depends on marketing and advertising to broadcast his social comments and to get his art seen. And how fascinated we all are with money and the display of wealth.
The whole exhibition is thought-provoking, one of the best craft shows I’ve seen for years. If you are interested in seeing it yourself, it runs unto 10th September.
Terry Jones taught History to adult students taking Foundation courses at a College of Higher Education prior to their entry into full-time degree courses at Warwick and Coventry Universities. Since taking early retirement, he has travelled widely in Eastern Europe, pursuing a life-long interest in 19th and early 20th century European history. He has been a GCSE and "A" level tutor with OOL since 1996.